REVISITING EDIRIWEERA SARACHCHANDRA’S ‘MANAME’. Part 3
Monday, November 21st, 2022KAMALIKA PIERIS When Ralph Pieris told me ‘I was one of those who persuaded Sarachchandra to show Maname at Lionel Wendt theatre’ I sniggered a little. I knew the Lionel Wendt audience of the 1950s. It was culturally insensitive, utterly ignorant, and wanting only to be seen at a ‘western’ cultural event. Why present Maname […]
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